IN A NUTSHELL Reason provides an open-ended rack of synths and effects, which are tightly integrated with a MIDI sequencer. The synths include an old-school analog type; an unusual, exotic-sounding granular instrument; a full-featured multi-sampler; a REX file player; a 10-channel drum sample player; and now Thor, which is semimodular and provides several types of synthesis. Reason's effects are fairly standard: A highly programmable reverb, a versatile distortion processor, a suite of mastering effects and a vocoder head the list. Also on tap are a step sequencer and a new arpeggiator. Groups of devices can be tucked away in a shell called a Combinator, which makes it easy to store and recall complex signal chains.

Many downloads like Propellerhead Record may also include a crack, serial number, unlock code, cd key or keygen (key generator). When searching for Propellerhead Record Crack do not include words such as serial, number, key, license, code, etc. Excluding words such as these will result in.

Reason's devices can be patched to one another using “rear panel patch cords.” This turns the rack into a fully modular sound design environment, allowing me to create complex effects. For example, Reason lacks a stereo delay line, so I'll tuck two or three DDL-1 delay modules in a Combinator with a line mixer, and perhaps add a Scream distortion unit or PEQ-2 parametric equalizer patched into a delay feedback loop to focus the echoes in one frequency range. The program's user interface is elegant, and the included sound library is versatile. Reason is strongest in dance and other pop music styles, but including tempo and time-signature changes in Version 4 is sure to grab film composers' attention.

MEET THOR To get my session running, I easily installed Reason from my DVD drive using only a serial-number entry. Jane Woh Kaise Log The By Waqar Ali Mp3 Free Download. Within minutes, I had created a Thor “polysonic” synthesizer and was drooling over its hundreds of factory presets. Most of the sounds I loaded were inspiring. But there's more to life than factory presets. Thor has three oscillator and three filter slots able to hold six oscillator modules and four filter modules, plus four envelopes, two LFOs, its own delay and chorus effects, and a basic 16-step sequencer.

No registration Propellerhead Record Serial Serial Logger Service 1.0, Serial Com Port Monitor 4.0, Serial Splitter 3.0, Serial Splitter Mobile 2.4.

Missing from Thor's tool chest are multisegment envelopes. Propellerhead's strong preference for putting all functions on the front panel limits envelopes to ADSR, or at, most, the DAHDSR (Delay, Attack, Hold, Decay, Sustain, Release) provided as Thor's global envelope. However, adding multisegment loops using automation is easy. For each oscillator, you can choose analog, wavetable, phase modulation (inspired by the Casio CZ Series synths), an FM carrier/modulator pair, a Multi Osc — in which several waves are detuned from one another by a controllable amount — or a noise generator.

I was soon developing my own patches. (To hear a patch I created using band-limited noise and AM, go to and download HauntedHalls.mp3 from Mix Media.) The formant filter sounds great and is very playable thanks to a mousable X/Y pad and a gender knob. Positioned between the filters is a waveshaper, and the routing of signals from oscillators through filters and shapers is quite flexible.

For one patch, I routed a pair of sawtooth waves (rich in overtones) through a formant filter whose X and Y axes were being modulated by separate envelopes. I waveshaped the result using the soft-clip setting to add some filth and then dialed back the highs by sending the waveshaper's output through a lowpass filter. I just about couldn't stop programming sounds long enough to finish writing this review! Adding to Thor's power is a modulation matrix. The possible matrix inputs include not only the expected envelopes and LFOs, but also MIDI controllers and audio rate signals.

With the latter, you can do FM between one oscillator and another. I tried sweeping a self-oscillating lowpass filter for that classic Minimoog side-bands effect. By using any of the four audio inputs on the back panel, you can route an external signal from another Reason module through Thor's filters or use the signal to FM an oscillator.

To test this, I routed a Dr. REX beat to two oscillators to produce a grinding percussion groove, which I processed through a pair of formant filters. Casper Twin Turbo 2 Supreme Driver Windows 7. The possibilities are limitless.